<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>composition on Posters.org</title>
    <link>https://posters.org/tags/composition/</link>
    <description>Recent content in composition on Posters.org</description>
    <generator>Hugo -- gohugo.io</generator>
    <language>en-us</language>
    <lastBuildDate>Fri, 07 Aug 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://posters.org/tags/composition/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Photographing the West Front of Notre-Dame de Fourvière in Lyon: When You Can&#39;t Fix the Verticals, Commit to the Tilt</title>
      <link>https://posters.org/photographing-the-west-front-of-notre-dame-de-fourvi%C3%A8re-in-lyon-when-you-cant-fix-the-verticals-commit-to-the-tilt/</link>
      <pubDate>Fri, 07 Aug 2026 00:00:00 +0000</pubDate>
      
      <guid>https://posters.org/photographing-the-west-front-of-notre-dame-de-fourvi%C3%A8re-in-lyon-when-you-cant-fix-the-verticals-commit-to-the-tilt/</guid>
      <description>There is no good place to stand in front of Notre-Dame de Fourvière. The parvis is shallow, the hill falls away behind you, and the façade is enormous. You back up until you run out of ground, and you&amp;rsquo;re still looking almost straight up. Every wide shot of this building has converging verticals in it. The only real decision is whether you pretend otherwise.
I decided not to pretend. This is shot upward from the stairs, portrait orientation, sky cropped out entirely, and the lean is left in.</description>
    </item>
    
  </channel>
</rss>
